Incredible Mag

A Q&A With Sound Engineer Jerome Renard

<p>&nbsp&semi;<&sol;p>&NewLine;<p><img class&equals;"aligncenter wp-image-2265" src&equals;"https&colon;&sol;&sol;incrediblemag&period;com&sol;wp-content&sol;uploads&sol;2019&sol;06&sol;ARTICLE-4&period;jpg" alt&equals;"" width&equals;"500" height&equals;"324" &sol;><&sol;p>&NewLine;<p>Looking at Jerome Renard’s resumé is quite impressive&comma; he has been a mix engineer &lpar;also known as sound engineer&rpar; on so many projects –and this Belgian man has been a very busy sound mixer for the last few years&period; I recently caught up with him for a quick interview&period;<&sol;p>&NewLine;<p><strong>Hi Jerome&excl; So&comma; how did you get into music&quest;<&sol;strong><&sol;p>&NewLine;<p>Well&comma; I don’t exactly know&period; I’ve been into music since I was born&period; My mom is a huge music fan&semi; we used to share music of any genres&period; I played drums and guitar in my childhood&sol;teenage years&comma; until one day&comma; I ended up in a studio to record my band&period; I think I spent most of the time in the control room watching what the engineer was doing&period; After that day&comma; I knew what I wanted to do for the rest of my life&excl;<&sol;p>&NewLine;<p><strong>What happened after that&quest;<&sol;strong><&sol;p>&NewLine;<p>Some time after I interned in a Live Company&comma; setting up the stage sound and then moved up to mixing the FOH&period; I didn’t spend a lot of time there&period; A year after I found an internship in a studio&period; I then finish High School&comma; did a year in IT&comma; Electronics and automation then switched to SAE Institute&period; At the same time I interned and worked in different studios and finally get hired as an engineer&period; And then it really began&period; I worked in many studios across Belgium and Europe&comma; I spent some times in Paris&comma; Bristol&comma; London&comma; I toured in Europe&comma; launched a non-profit company to help artists and worked with international artists and producers&comma; like Simon Philips&comma; Nuccio Tortora&comma; John Metcalfe&comma; Robin Dimaggio etc&period;&period;<&sol;p>&NewLine;<p><strong>What are you working on at the moment&quest;<&sol;strong><&sol;p>&NewLine;<p>Now&comma; I mostly spend my time mixing&period; I recorded and toured a lot&comma; but mixing &lpar;in the studio&rpar; is really what I wanted to do&excl;<&sol;p>&NewLine;<p><strong>Who were your influences since you started&quest;<&sol;strong><&sol;p>&NewLine;<p>I would say it varies&period; I learn a lot from the work of engineers such as Manny Marroquin&comma; Tony Maserati&comma; Dave Collins&comma; Dave Pensado&comma; Bob Horn&comma; Bob Clearmountain&comma; Mark Spike Stent and the list goes on&period; But my biggest influence&comma; in terms of mixing&comma; is Serban Ghenea&period; And in terms of artists&comma; there are so many&excl;<&sol;p>&NewLine;<p>You worked on many different projects with many different artists&period; Is there one you enjoyed more&quest;<&sol;p>&NewLine;<p>I don’t think so&period; I liked every job I’worked on and l learned a lot from some&period; The first two years for The Voice&comma; were big&period; It was one of my first times working on a big TV show&period;<&sol;p>&NewLine;<p><strong>Any fun anecdote&quest;<&sol;strong><&sol;p>&NewLine;<p>Maybe one from last year when I worked with Christine Sorce and the composer Nuccio Tortora&period; With Nuccio we don’t have any common language&comma; he speaks Italian and I speak French and English&period; So we spent the whole recording session communicating with gestures and trying to understand each other&period; That was quite fun&excl;<&sol;p>&NewLine;<p><strong>What are you currently working on or have coming up&quest;<&sol;strong><&sol;p>&NewLine;<p>2020 is going to be a busy year&period; I received new opportunities&comma; I can’t say what that is for now&period; I am also going to be working on a mini-series&period; Some of the producers I mix for are busy working on new projects and there is new project I’d like to develop that I would like to launch&period;<&sol;p>&NewLine;<p><strong>What would your best piece of advice be to other artists and engineers coming into the business -and the most important steps to take&quest;<&sol;strong><&sol;p>&NewLine;<p>My advice would be to always keep going&comma; accept critics and understand them so you can grow&period; And Love what you do&excl;<&sol;p>&NewLine;<p>https&colon;&sol;&sol;www&period;imdb&period;com&sol;name&sol;nm10739660&sol;&quest;ref&lowbar;&equals;fn&lowbar;al&lowbar;nm&lowbar;1<&sol;p>&NewLine;<p>https&colon;&sol;&sol;www&period;discogs&period;com&sol;artist&sol;4897861-J&percnt;C3&percnt;A9r&percnt;C3&percnt;B4me-Renard<&sol;p>&NewLine;<p>https&colon;&sol;&sol;www&period;jerome-renard&period;com&sol;<&sol;p>&NewLine;

Exit mobile version