Incredible Mag

Eric Catelan’s Captivating Camera Work

<p style&equals;"text-align&colon; justify&semi;">Expert Steadicam operator Eric Catelan showcased his cinematic skills behind the lens of the 2008 two-part feature film&comma; &OpenCurlyQuote;Mesrine’&comma; and in so doing established himself among the great Steadicam Operators in the industry&period;<&sol;p>&NewLine;<p><img class&equals;"aligncenter size-full wp-image-2106" src&equals;"https&colon;&sol;&sol;incrediblemag&period;com&sol;wp-content&sol;uploads&sol;2018&sol;05&sol;unnamed22-e1527748788164&period;jpg" alt&equals;"Eric Catelan’s Captivating Camera Work" width&equals;"748" height&equals;"496" &sol;><&sol;p>&NewLine;<p style&equals;"text-align&colon; justify&semi;">Starring&comma; Vincent Cassel&comma; Cecile de France&comma; Gerard Depardieu&comma; Gilles Lellouche&comma; and Roy Depuis&comma; and directed by Jean-Feancois Richet&comma; &OpenCurlyQuote;Mesrine’ tells the story of French gangster Jacques Mesrine&comma; who was nicknamed&comma; Public Enemy N° 1&period; Mesrine&comma; portrayed by Vincent Cassel&comma; and his accomplice&comma; Jeanne Schneider&comma; played by Cécile De France&comma; became media stars known as the Bonnie and Clyde of France&period;<&sol;p>&NewLine;<p style&equals;"text-align&colon; justify&semi;">Cinematographer Robert Gantz set the cinematic tone of the film&comma; assisted by a Camera Operator and Steadicam operator&comma; Eric Catelan&period; In a vital scene that required re-shoots&comma; Mesrine and Jeanne storm into the room while the camera continues moving and neither do the thieves&comma; while the Steadicam swirls around in the opposite direction&period;<&sol;p>&NewLine;<p style&equals;"text-align&colon; justify&semi;">&OpenCurlyDoubleQuote;We had a great Steadicam operator named Eric Catelan&comma;” says Gantz&period; &OpenCurlyDoubleQuote;He was also the A-camera operator&period;” Mirrors were used for visual and thematic effect throughout the film&comma; &OpenCurlyQuote;Mesrine’&period; In one specific scene&comma; Eric’s expertise was needed on a dolly shot&period; &OpenCurlyDoubleQuote;The camera was on a dolly and Eric had to pan at exactly the right moment&semi; otherwise&comma; we’d either miss the image we wanted or we’d see Eric and the camera in the mirror&OpenCurlyDoubleQuote;&comma; Gantz recalls&period;<&sol;p>&NewLine;<p style&equals;"text-align&colon; justify&semi;">Eric’s craft was on full display during production of &OpenCurlyQuote;Mesrine’&comma; where complicated Steadicam work was imperative to the camerawork needed to execute the shoot&period; The film enjoyed international acclaim&comma; garnering prestigious awards and nominations including at the César Awards&comma; France’s top film awards&comma; where it received nominations for Best Film and Best Cinematography&comma; among others&period;  Added to such recognition&comma; &OpenCurlyQuote;Mesrine’ was praised by film critics&comma; with such publications as <em>The New York Times <&sol;em>called it &OpenCurlyDoubleQuote;continuously riveting”&period;<&sol;p>&NewLine;<p style&equals;"text-align&colon; justify&semi;">Over the past decade&comma; Eric Catelan’s career has continued to rise with credits including&comma; &OpenCurlyQuote;The DeVinci Code’&comma; and &OpenCurlyQuote;Irreversible’&comma; and most recently&comma; &OpenCurlyQuote;The World Is Yours’&comma; which premiered at the 2018 Cannes Film Festival&period;  Added to such credits&comma; Catelan is also well-known for his work as a Steadicam instructor and enjoys a friendship and mentorship with renowned cameraman&comma; Garrett Brown&comma; who invented the Steadicam and whose credits include&colon; &OpenCurlyQuote;The Shining’&comma; &OpenCurlyQuote;Rocky’&comma; and &OpenCurlyQuote;Star Wars&period; With many of the films Catelan has worked on receiving widespread praise and industry recognition&comma; he has secured his status as being among the best of the best Camera and Steadicam Operators in the world of entertainment&period;<&sol;p>&NewLine;

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